For Kentucky-born cellist and composer Ben Sollee, music and activism often intertwine. He has toured by bicycle, spoken about sustainability at festivals, and worked on a collaborative album to bring awareness about mountain top removal strip mining in Appalachia. With it all, his musicianship shines through. The New York Times wrote Sollee's "...meticulous, fluent arrangements continually morphed from one thing to another. Appalachian mountain music gave way to the blues, and one song was appended with a fragment from a Bach cello suite, beautifully played."
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Thursday, January 26, 2017
The Blue Ridge Music Center Winter Music Series
February 5 at 6 PM - Winter Concert, The Blue Ridge Music Center : Art + Sound. For this concert The Blue Ridge Music Center will be working with the Southeastern Center for Contemporary Art. $18 advance general admission, $28 VIP (reserve seating & letterpress poster) or $23 door, $33 VIP. Held at the
Southeastern Center for Contemporary Art, Winston-Salem, NC.
Lonnie Holley has devoted his life to the practice of improvisational creativity. His art and music, born out of struggle, hardship, but perhaps more importantly, out of furious curiosity and biological necessity, manifest in drawing, painting, sculpture, photography, performance, and sound. His music and lyrics are improvised on the spot and morph and evolve with every event, concert, and recording.
For Kentucky-born cellist and composer Ben Sollee, music and activism often intertwine. He has toured by bicycle, spoken about sustainability at festivals, and worked on a collaborative album to bring awareness about mountain top removal strip mining in Appalachia. With it all, his musicianship shines through. The New York Times wrote Sollee's "...meticulous, fluent arrangements continually morphed from one thing to another. Appalachian mountain music gave way to the blues, and one song was appended with a fragment from a Bach cello suite, beautifully played."
For Kentucky-born cellist and composer Ben Sollee, music and activism often intertwine. He has toured by bicycle, spoken about sustainability at festivals, and worked on a collaborative album to bring awareness about mountain top removal strip mining in Appalachia. With it all, his musicianship shines through. The New York Times wrote Sollee's "...meticulous, fluent arrangements continually morphed from one thing to another. Appalachian mountain music gave way to the blues, and one song was appended with a fragment from a Bach cello suite, beautifully played."
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